ARCHITECTURE
STUDIO 11A
This architecture studio combined eight cubes with unique substraction and material shifts to form an intentionally abstract model.
The outer planes of the form were then extruded and stairs, columns, and other extending planes were added to further enhance the language of the original model.
Color was used to highlight points of tensions, the moments were surfaces barely touch or come close to touching, while mainting balance and eveness when looking at the model from different points of view.
The stairs and columns are extentions of the surfaces and further highlight the geometric forms.
Through the use of voids, boundary constraints, and gridlines, my second studio explored the idea of the ‘Urban Front’.
Focused on how translation from abstract beginnings leads to the creation of meaning spatially, my model followed a cohesive language explored through horizontal and vertical extrusions that created dynamic and balanced spaces.
Focused on how translation from abstract beginnings leads to the creation of meaning spatially, my model followed a cohesive language explored through horizontal and vertical extrusions that created dynamic and balanced spaces.
STUDIO 100A
This project explores the concept of room after room through the interlocking of a sloped rectangular volume and a cube, using repetition and variation to generate spatial sequence. The project investigates how stacked and shifted volumes organize circulation, establish public and private zones, and respond to site conditions. Across floors, the geometry transitions from fragmented volumes to more unified rectangular forms, while walls and cores guide movement and structure spatial hierarchy.
Angular extrusions and projections add depth to the massing, reinforcing the relationship between repetition, perimeter, and
vertical progression, and tying the building back to its original interlocking forms.